Into the unknown
Valeria Luiselli's novel “faces in the crowd” kinda felt unsatisfactory and not because nothing happens, but because what happens keeps folding in on itself and made me a little confused reading it because she kept blurring the line between who's writing, who's being written, and whether any of it is "real" in the first place. The base of the novel is essentially a young Mexican woman living in New York City, translating poetry and becoming obsessed with the “non-mainstream” Mexican poet Gilberto Owen. But that's only one layer. She's also a mother in Mexico City, years later, writing a novel about her younger self. And Owen himself starts appearing. LITERALLY walking through her pages, her memories or even maybe her hallucinations. The narrative shuttles between times, cities, and perspectives until you're not entirely sure whose story you're reading anymore. And this is what made this novel so cool but also kinda confusing to follow which obvi...